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Mozart‘s symphonies No. 25, 35 and 39 - Riccardo Muti and Wiener Philharmoniker -- Double LP 33 rpm 180 gr. Made in EU - Pro-ject - SEALED

Mozart‘s symphonies No. 25, 35 and 39 - Riccardo Muti and Wiener Philharmoniker -- Double LP 33 rpm 180 gr. Made in EU - Pro-ject - SEALED

Product code:
PRJ0004LP
Price: € 47,00
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Description

 
EtichettaPRO-JECT
DECCA 002894826249
Label
TitoloMozart symphonies No. 25, 35 and 39Title
Artista Riccardo Muti and Wiener PhilharmonikerArtist
Tracklist
VEDI descrizione
( e/o foto)

SEE description
(and/or photos)
Tracklist
Vinile
SIGILLATO
 
SEALEDVinyl
Cover
SIGILLATO
 
SEALEDCover
Supporto
Doppio LP 33 giri 180gr
 
Double LP 33 rpm 180gSupport
Made inEUMade in
Stampa delPressing
Note
Descrizione

Features

  • The Vienna Philharmonic conducted by Riccardo Muti
  • Live recording from the Wiener Musikverein
  • Audiophile sound experience
  • Remastered from original master tapes by Georg Burdicek
  • 2x 180 gr heavyweight virgin vinyl
  • Audiophile pressing made by Pallas /Germany)
  • Limited edition exclusively for Pro-Ject Audio Systems(only 2000 copies available worldwide)
  • Every copy is numbered by hand
  • Gatefold cover
  • Produced in cooperation with Pro-Ject Audio Systems



Audiophile pressing

Together with the Vienna Philharmonics Riccardo Muti created a true masterpiece of Mozart‘s symphonies No. 25, 35 and 39. Both are within the most respected artists of classical music of the modern era and this vinyl record combines outstanding interpretation and unrivalled sound experience that preserves the soft warm ambience of Wiener Musikverein.

This very rare audiophile recording has been remastered with care and love by non other than Georg Burdicek, the heart and soul behind Tonzauber. His references include recordings with world renowned artists such as Nikolaus Harnoncourt, Milan Horvat, Elina Garancia, Joe Zawinul and many others.

The very opening of the slow introduction to No. 39 makes it abundantly clear that Muti has no thought of being influenced by latterday ideas of period performance. Just how many strings he is using one cannot tell, but the result on the first chord is big, bold and weighty. So the surprising discords in the introduction come out sharply and, despite the smooth manner, the textures of the tuttis in the main Allegro are commendably clean. In No. 25, the ‘little’ G minor, Muti is fast and fierce in the first movement, with no sense that this is an early work, and in the second movement Andante, he keeps the violins unmuted, bringing out more sharply the tonal contrasts with the woodwind in alternate phrases. The varied wind solos from piccolo to trumpet are wittily characterised. But the knockout here is the “Haffner” Symphony, a totally exuberant account which is cinematic in its focus and intensity, racing to a finale which is wild beyond belief.

LP 1

Side A Symphony No. 25 in G minor:

1. Allegro con brio

2. Andante

3. Menuetto

4. Allegro

Side B Symphony No. 35 „Haffner“ in D major:

1. Allegro con spirito

2. Andante

3. Menuetto

4. Presto

LP 2

Side C Symphony No. 39 in E flat major:

1. Adagio – Allegro

2. Andante con moto

Side D:

3. Menuetto

4. Allegro

 

Notes Description