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The Ornette Coleman Double Quartet - Free Jazz

The Ornette Coleman Double Quartet - Free Jazz

LP 33 rpm 180 gr. Made in Germany - Speakers Corner - SEALED
Product code:
SPC0404LP
Price: € 35,90
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Description

 
Etichettaspeakers corner

Atlantic SD 1364

Label
Titolo Free JazzTitle
ArtistaThe Ornette Coleman Double Quartet Artist
Tracklist
VEDI descrizione
( e/o foto)

SEE description
(and/or photos)
Tracklist
Vinile
SIGILLATO
 
SEALEDVinyl
Cover
SIGILLATO
 
SEALEDCover
Supporto
LP 33 giri 180gr
 
LP 33 rpm 180grSupport
Made inGermanyMade in
Stampa delPressing
Note
Descrizione
 

"Free Jazz " - Ornette Coleman (as); Eric Dolphy (b-cl); Don Cherry, Freddie Hubbard (tp); Charlie Haden, Scott LaFaro (b); Billy Higgins, Ed Blackwell (dr)

The term 'free jazz' was already in existence – but it had a quite different meaning, namely jazz without paying for an entrance ticket. The album "Free Jazz", however, was intended to lend its name to a quite different style of jazz. 'Free' playing – now this meant that no one was bound to conventions, you could let your imagination run loose. Free jazz gave one the chance to find new rules for every new composition. And it was to be the greatest boost to innovation in the world of jazz. Ornette Coleman’s album from December 1960 stands at the beginning of the free jazz era like a massive portal. Coleman thought big: he brought two quartets into the studio at the same time, both with two wind instruments and no piano, and let them play together for 36 minutes without a break – a collective improvisation. There aren’t any precise themes, although short, fanfare-like motifs do exist in which the winds come together. A continuous dense rhythmic beat underlies the music almost throughout – and the pulse is felt rather than heard. One musician after the other comes into the foreground to improvise, almost like at a jam session. First Coleman, then Dolphy, then the two trumpeters. The other winds, however, never remain silent, then make comments and support one another continually – the energy level is immense the whole time (it was cold in the studio ...). Only when it is the turn of the bass and drum players do the winds remain silent for about eleven minutes. This album is not only a historic caesura, but a truly great experience over and over again.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. 

Recording: December 1961 in A&R Studios, New York City, by Tom Dowd
Production: Nesuhi Ertegun